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Brad Ellis 02


Brad Ellis Interview

Interview conducted by by Daniel Benson


Buy Daylight Fades Dvd

Brad Ellis is a Memphis filmmaker whose darkly romantic vampire movie Daylight Fades is currently being distributed by Lionsgate in the UK. He's been making movies since high school with his production company, Old School Pictures, and took time out to talk to Horror DNA about vampires, filmmaking and what makes him tick.


Daniel Benson: The guys involved in your production company, Old School Pictures, go back to high school together. How has this developed from high school projects into commercial movie making?

Brad Ellis: We were all in the same film production class in our senior year of high school and had an assignment to make a short film. As a result of that we found we really enjoyed working together and we wanted to take things a step further after we graduated. Even though we were spread out across the USA, we still came together under the Old School Pictures banner when we made a movie. We developed a small, cult following here in Memphis and over time it attracted investment in our projects, which is eventually what got Daylight Fades off the ground.

DB: You made a horror movie called The Path of Fear in 2002 and then went completely the opposite direction to make a comedy [Act One, 2009]. What made you move away from horror to make the comedy?

BE: Allen Gardener, who is the screenwriter for almost all of our productions, doesn’t like to settle in one genre so we dabble in a little of everything. When we were younger we tried to make an action film which didn’t really work out, but I’ve always been a horror fan growing up so that was where I got a handle on filmmaking. So we’re not really tied down to any particular genre, even though horror is my favourite.



DB: Tell me what Daylight Fades is all about for our readers who haven’t seen it.

BE: For me it’s the triangle between Seth, Elizabeth and Johnny and their struggle to try to live together. When Allen [Gardener] was writing the script the vampire element was almost put to one side as it’s not the crux of the story, it just happens to take place in that universe.

DB: I felt it was a tragic love story, and I agree the vampire element was almost secondary.

BE: Exactly,  and that was our objective with the characters. If we did strip all the vampire elements out, does the audience still care about the central characters? We wanted to make sure we were happy with that before we started to bring in the horror elements.


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DB:Twilight, Stake Land, Let me In, Fright night, and TV shows like The Vampire Diaries, True Blood:There are so many vampires in the media, what does Daylight Fades bring new to the table?

BE: Hopefully a more realistic perspective! Although I’m a fan of a lot of the stuff that comes out today it is geared towards a younger audience, it’s very sensationalised – which works for those kind of projects, but we never looked at Daylight Fades as solely a horror movie. Maybe that’s not the best way to put it when talking to a horror film site [laughs] but we wanted to take a unique stab at this type of film. We were more focused on the dramatic elements, but you get to have fun with the horror stuff too.


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DB: You shot the film in various locations around Memphis, was it important to you to showcase your local area?’

BE: Yes, I grew up here and I really wanted to make Memphis a character in the film and I wanted to give the city a voice. A lot of independent films are made here, but a lot of the time the filmmakers throw their actors in a room and don’t really showcase the city. Memphis has a lot to offer and one of the first things I noticed on reading the script was how many different locations there were. We shot a lot downtown, which is very industrial-looking and has a lot of history and the texture in the buildings is fantastic. I really wanted to bring that to life in the film, because working with a limited budget we don’t have the production design of a bigger feature and Memphis fortunately filled in the gaps and looked great.

DB: It did. Did you use any sets or was it all shot on location?

BE: It was entirely on location except for some of the in-car scenes which we shot on a sound-stage with green screen.

DB: You’ve shown the film at some  festivals and screenings and picked up some festival awards. How have  viewers reacted to the film?

BE: Overall it’s been good, we’ve actually gone back and tweaked a few elements based on audience feedback. The cut that’s been released by Lionsgate in the UK is about 10 minutes shorter than the original version, so we’ve definitely used the audience feedback to our advantage.

DB: Did you make the film to ride the current wave of vampire popularity or is it just good timing?

BE: Honestly, I swear the script for Daylight Fades was written long before any of the Twilight stuff rose to popularity. We were casting at the same time as the Stephenie Meyer books came out and people were just starting to catch on. At first we were extremely frustrated because our take on it was that the vampire genre was kinda dormant for a while in the early 2000s and all of a sudden there was an explosion of movies and TV shows about vampires. We got caught in the middle of that and it did get frustrating because it looked like we were trying to ride the wave. Ultimately it’s been to our advantage though, from a marketing perspective.


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DB: Do you think the bubble is about to burst, or will we be seeing vampire movies for a while yet?

BE: Yeah, I think it’ll tap out pretty soon. I guess the next major release is the second part of [Twilight] Breaking Dawn and I look at that as the point that maybe the bubble will burst. There are a lot of people riding the coat-tails of those movies right now and even I feel that we need to use that to our advantage in terms of marketing. Things come in cycles though, I have no doubt vampires will be popular again in a few years time when some new filmmakers come along.

DB: Which film or TV show has your favourite type of vampires and why [excluding Daylight Fades]?

BE: I’m not a very big vampire fan! It’s actually one of the reasons I was interested in the project, because reading the script it really grabbed me from a character perspective. Having said that, there are tons of vampire films I do enjoy and I think one of my favourites has to be Near Dark. And if I’m not mistaken, I don’t think they even use the word ‘vampire’ in that film.



DB: Who in the horror industry influences or inspires you?

BE: John Carpenter for sure. Halloween is my favourite film of all time. I love the way that man shoots his films and I’ve learned a lot about framing and blocking from watching his work. And that’s the approach I took with Daylight Fades, I wanted it to look a little more classical in style

DB: You seem to take a fair amount of time between making movies, why?

BE: Well there’s everybody’s location as we talked about earlier, and I think we’re slowly rising to some prominence so we’re a little more selective about what projects we take on. It has to be a project that everyone agrees on.

DB: Will you come back to horror for your next project or are you heading in an altogether different direction?

It looks like our next project will be something in the horror realm. And this one might even be a bit more straight-up horror, which really excites me as I haven’t made a flat out horror film.



Daylight Fades is available on DVD now.


Links: Daylight fades Website | Old School Pictures Website | Daylight Fades Facebook






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About The Author
Daniel Benson
UK Editor / Webmaster
Fuelled mostly by coffee and a pathological desire to rid the world of bad grammar, Daniel has found his calling by picking holes in other people's work. In the rare instances he's not editing, he's usually breaking things in the site's back end.
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