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Girl Movie Review

Written by Stuart D. Monroe

Released by Screen Media

girl poster large

Written and directed by Chad Faust
2020, 90 minutes, Not Rated
Released on November 24th, 2020

Starring:
Bella Thorne as Girl
Elizabeth Saunders as Mama
John Clifford Talbot as Daddy
Mickey Rourke as Sheriff
Chad Faust as Charmer
Michael Lipka as Town Fuckup
Glen Gould as Barkeep
Lanette Ware as Betty

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Review:

When your family is the definition of dysfunctional and your hometown is a forgotten hell, it’s safe to say that you wouldn’t want to go back there. That makes perfect sense, after all, but if you were going back home to murder your old man, then it just might be worth the return trip.

Girl (Bella Thorne; Scream: The TV Series) is returning home to Golden County to kill her father. Her mama (Elizabeth Saunders; Stephen King's IT) begs her not to go back. She finds a depressing nightmare of a town and a dead father. He’s been brutally murdered and left hanging from a hook. She is stunned, and now she must know who’s responsible for this. As she drifts around the dark burg trying to piece it together, she uncovers a hidden truth that’s much closer to home than she’d ever have imagined.

The premise is pretty straightforward, and the simplicity of that leaves the weight of the film in the hands of Bella Thorne. She delivers a damn solid performance that’s not without its quirks but ultimately puts you through the emotional paces of a woman who’s having a shit run in an even shittier life. She’s about as dressed down as a natural beauty can possibly be even before she starts getting her ass whipped. You can see that she enjoys the grittier roles, and they seem to like her.

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Of course, when you have Mickey Rourke (Angel Heart, Sin City) as your “Big Bad”, you’re getting an imposing physical presence with real chops. The surprise is writer-director Chad Faust (The 4400) as Charmer. Sure, he’s written to have most of the fun, but Chad Faust is making the most of his screen time. The rest of the assembled cast are a collection of solid minor characters doing the literal dirty work in this grimy town with grim determination. It’s a hell of a group effort.

Cinematically, the darker moments are often too dark. It’s a small gripe, but it’s definitely noticeable. Otherwise, it’s a stark picture of those poor places in between civilization that time and hope seem to have forgotten. There are a few lovely overhead and establishing shots of the natural beauty that counterbalance the darkness with a sense of hope. The location is excellent and becomes a character all its own. Throw in a couple of surprisingly wellshot and edited chase scenes that add real value, and you’re left with a movie that has a distinct cinematic flavor that could be called a certain shade of hillbilly noir.

What Girl lacks in violence and flair it makes up for with ugly reality and dark family twists. It’s a movie that makes an impression in spite of its minor flaws, one of those movies that isn’t overly trying to imitate anyone. Instead, Girl is a moody and atmospheric thriller that makes the down and out parts of the country look even more so with craftsmanship and a slew of heavy performances.

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Grades:

Movie: 4 Star Rating Cover
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About The Author
Stuart D. Monroe
Staff Reviewer - USA
Stuart D. Monroe is a man of many faces – father, husband, movie reviewer, published author of short horror, unsuccessful screenwriter (for now), rabid Clemson Tiger, Southern gentleman, and one hell of a model American who goes by the handle "Big Daddy Stu" or "Sir". He's also highly disturbed and wears that fact like a badge of honor. He is a lover of all things horror with a particular taste for the fare of the Italians and the British. He sometimes gets aroused watching the hardcore stuff, but doesn't bother worrying about whether he was a serial killer in a past life as worrying is for the weak. He was raised in the video stores of the '80s and '90s. The movie theater is his cathedral. He worships H.P. Lovecraft, Stephen King, and Clive Barker. When he writes, he listens obsessively to either classical music or the works of Goblin to stimulate the neural pathways. His favorite movie is Dawn of the Dead. His favorite book is IT. His favorite TV show is LOST.
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