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SURPRISE! FRIDAY LAUNCHES ON PANEL SYNDICATE

Panel Syndicate is a sneaky site because just when you think you've read everything on there from its big name creators, it drops a brand new comic completely out of the blue. Such is the case with Friday, a new series from writer Ed Brubaker, artist Marcos Martin and colorist Muntsa Vicente. The horror mystery series sounds right up my alley and I'm super excited to check it out, especially since there are not a lot of new comics available right now.

In the series, Friday Fitzhugh—girl detective—and Lancelot Jones—her best friend and also the smartest boy in the world—spent their childhoods solving crimes and digging up occult secrets. But that was years ago. And now Friday is in college and starting a new life on her own. She’s moved on. Until she returns home for the holidays and is immediately pulled back into Lance's orbit. This is literally the Christmas vacation from Hell and neither of them may survive to see the New Year.

“One of the first things I said to Marcos was that this book feels like Lovecraft's New England is colliding with Edward Gorey's,” said Brubaker. “And I like to describe Friday as post-YA, which is a genre that doesn't really exist. It’s an idea I've been circling for a long time, that lets me tap into my own nostalgia for my youth and the YA books I loved back in the 70s and 80s - stuff like The Great Brain, or John Belliars books, or Harriet the Spy, or Encyclopedia Brown. I want to take that concept of the teen detective and those supernatural mysteries aimed at kids, but then let the protagonists grow up, so they have all the same problems we all do... and they encounter a much more dangerous world.”

Friday #1 is available now in English and Spanish. It's only available through Panel Syndicate in digital format either in a double-page spread (ideal for computers) or single page (ideal for tablets). Readers can pay what they want for the comic and that includes nothing, although I encourage you to at least through a dollar or two in. Making comics isn't cheap.

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“Ed Brubaker has always been one of my favorite comic book writers,” said Martin. “There’s a unique quality to his writing, like a sober sadness that permeates all his work and always shines through, whether it's on his crime noir stories with artist extraordinaire Sean Phillips or on his superhero projects at Marvel or DC. We had the chance to collaborate briefly on a Captain America Annual almost 15 years ago and I remembered the experience fondly, so when the time came last year to start thinking about what creator owned project I wanted to tackle next, I was hoping he’d had a similar positive memory of our past work together. But most importantly, I had his email address.”

“When Marcos wrote to me last summer asking if I wanted to work with him on his next big thing for Panel Syndicate, I think I wrote back within a minute to say yes,” said Brubaker. “I've been a longtime fan and watching his style evolve over the years has been amazing, and I was also really interested in what he and Brian K Vaughan created when they released The Private Eye on Panel Syndicate. For a while now a lot of cartoonists I follow—like Emily Carroll and Tillie Walden—have been publishing their work digitally as they complete it, and then putting out these gorgeous collections in print, and I've been curious to try something like that... to serialize a graphic novel in chapters, then put out the book in print (and knowing me, with all sorts of extras) when it's done.”

“I had been wanting to experiment a bit with my drawing style and get away from my comfort zone for a while now, contemplating the possibility of cross-hatching, a technique I’ve never really looked into,” said Martin. “So when Ed pitched me the idea for Friday with its mixture of Edward Gorey and Lovecraft set in a New England-ish town in the late 60s/early 70s, I was surprised to find the concept fit perfectly with what I was hoping to develop.”

“Panel Syndicate was born as an example of a distribution model I felt was fair to both readers and creators, and eventually, comic publishers and retailers who can make more informed decisions with the books they were publishing and stocking on their shelves,” said Martin. “Our payment model also establishes a direct relationship between readers and creators. As creators, we're responsible for creating quality comics to the best of our abilities, and the reader then gets to decide the value they think those comics have, according to their own perception and personal circumstances.”

“When we started work on the series last summer, we had no idea our surprise drop would come during a global pandemic, with a comic market that's completely shut down," said Brubaker. "But I know that my level of reading comics and books, and marathoning everything on Netflix, has gone through the roof the last month, so hopefully Friday will be a nice surprise for comic readers today, and maybe a small escape from the real world right now.”

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About The Author
James Ferguson
Lord of the Funny Books
James has a 2nd grade reading level and, as a result, only reads books with pictures. Horror is his 5th favorite genre right after romantic comedy and just before silent films. No one knows why he's here, but he won't leave.
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